Tag: storycraft
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Wind Sprint: THE SEVENTH SACRIFICE
I’m not keen on giving up on a manuscript, but sometimes a thing is broke so bad it can’t be fixed1. THE SEVENTH SACRIFICE was a manuscript I abandoned because it was all wrong. There were a few chapters I enjoyed (the introductions of the tinkers), but it boiled down to Cheshire getting off his…
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Stuart Greenman has the right of it
Livia Blackburne tipped me off to Stuart Greenman’s entry into the Bulwer-Lytton bad writing contest. In one sentence (and pay attention, it really is one sentence), Stuart Greenman shows everything that drives me nuts about fantasy: A quest is not to be undertaken lightly–or at all!–pondered Hlothgar of the Western Boglands, son of Glothar, nephew…
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The Obnoxiousness of Fantasy Characters
Fantasy characters are dicks. In fiction, in D&D adventures, anywhere “adventurer” is available as a life choice, people are dicks. You see it all the time. Main character meets Douchebag McAsshole and DMcA immediately starts talking down to him. I’m a wizard. I’m a barbarian. I don’t bow before anyone. I don’t show any semblance…
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NaNoing My Problem
When I finish revising a novel, I feel like the train from the climax of Back to the Future 3. Doc Brown threw in those special logs and now I’m going twice as fast as a normal train. Reall, that works for when I finish the novel the first time and when I revise it…
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Beware the AYFKM, My Son
There are plenty of reasons a person may stop reading your book at the beginning: overwriting, underwriting, rehashed plots or story elements, a disconnection with the protagonist. I can’t even list the number of books I’ve picked up and put back down before the end of chapter 1 (it’s a long list). That’s the important…
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REVISIOOOOON! REVISION.
I love revision. My love for revision is inversely equivalent to my love for writing queries. When I get into a groove on revising, the words to “Tradition” from Fiddler on the Roof change to “Revision,” and I hear the chorus shouting it over and over in my head. I’m 1/3 of the way through…
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The Hard Part
I got a pass on WANTED: CHOSEN ONE, NOW HIRING today. This particular agent has looked at BLACK MAGIC AND BARBECUE SAUCE as well and is very good about giving feedback with rejections. What struck me today is that his comment was very similar to a comment Elizabeth Poole gave me when she beta-read the…
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Have Fun Storming the Castle
Current, non-syndicated television runs in 30 or 60 minute time slots. Of those slots, the actual program will run 20-22 minutes or 42-44 minutes respectively. Its this constraint that allows a writer–if he or she so wishes to apply herself–to know the plot, the outcome, and the bad guy (if you’re watching one of the…
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Wash Your Pants
My wife is inspired. This means: I don’t have to cook dinner (yay!), it will most likely be delicious (yay!), you get another post (yay!). Elizabeth Poole and I often discuss our differing writing styles. She’s a plotter. I’m a pantser. Once I get a solid grip on the plot and the characters, I can…