Tag: storycraft
-
Pacing, Fantasy, Authors, and Agents
I received feedback on one of my manuscripts from an author. She said the pacing at the beginning was too slow. It had been an issue during earlier drafts and I had thought I had resolved it to my satisfaction. I do not immediately agree with feedback from an agent and I don’t believe you…
-
Knowledge = (the battle)/2
I was watching a movie the other day and character A says of character B that he is a marksman. He can strike a man square in the chest at 50 meters. This was a modern piece with modern weaponry. There are different levels of writing what you know. The soul of some things can…
-
Timing is Everything
Like the classic joke goes, “In comedy, timing is… … …everything.” I’m reading the last in the Shadowmarch tetralogy by Tad Williams, SHADOWHEART. It’s a less than stellar name and most people don’t know that a four-book series is a tetralogy1, but Tad Williams is the reason I write fantasy–the reason2. So we’re going to…
-
Find the Fun in the Boring
I wrote chapter 2 for 7Sac today. This is a big deal because it’s the first fully original chapter of this version. Pieces of chapter 1 got held over from my first attempt and much more of it came from the wind sprint I wrote. Chapter 2 was wholly fresh. I actually tried to write…
-
Telegraphing the Play
Writing a novel is like writing a sports play, it may look familiar, but you don’t want the reader to know the play that’s coming. I know some people read for the experience, but some people (like me) read for the surprise. That’s why I hate spoilers so much. If the surprise is ruined for…
-
The Transition Story
Empire Strikes Back is my least favorite of the Star Wars trilogy1. This is heresy among accepted Star Wars fandom, but it is the way it is. You can rattle off the various elements of the movie that make it better than the others, a richer universe, more defined characters, a darker/grittier edge to it,…
-
No One Likes a Dumb Protagonist
The subject line says it all. No one likes a dumb protagonist. We accept flawed characters and we accept that situations can be shrouded in mystery or so layered that a character cannot comprehend it on spec. They need time to peel back the layers or let the whole thing soak in before it finally…
-
Finding New Meaning in Old Emotions
A scenario. Your character has: Given up professional and post-graduate dreams to aid a friend Moved to a new city to aid said friend Then been let down by said friend Which resulted in the loss of your character’s entire circle of friends, who had really been said friend’s friends Only speaks to his ex-fiancee…
-
POV to the FACE!
Elizabeth Poole was talking about having double first person in her current WIP. Meaning, she has two main characters and each of them narrate their part of the story from a first-person POV. I warned against this as a style that required IMMENSE precision. If you do not perfectly nail this kind of writing, it’s…
-
Wind Sprint: WHAT’S BEHIND THE CROOKED DOOR?
This story began as a ponderance. I thought of it from time to time. It sat in my brain like a seed. Will it sprout or will it just lay there? It sprouted a little, but I doubted enough to make a story out of it. My wife then asked me what I was talking…